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　　remember him， Will DRILLS HIM with a sucker-punch which begins
　　the
　　
　　FIGHT SEQUENCE: 40 FRAMES OVER M. GAYE’’S "LET’’S GET IT ON."
　　
　　Will’’s momentum and respectable strength serve to knock the
　　hapless Champa out cold.
　　
　　As soon as Will hits Bobby， his friends CONVERGE ON WILL.
　　Billy JUMPS IN and wrestles one guy to the ground. The two
　　exchange messy punches on the sidewalk.
　　
　　Will is in trouble， back pedaling， dodging punches， trying to
　　avoid being overrun.
　　
　　When Will goes for one guy， another has an open shot and he
　　HAMMERS WILL with a right hand to the head.
　　
　　Will is staggered and bleary， as a second guy winds up for a
　　shot he is BLIND SIDED by Chuckie who hits the kid like he was
　　a tackling sled， lifting him off the ground.
　　
　　Chuckie turns to see Will still outnumbered. It’’s all Will
　　can do to stay standing as Morgan DROP KICKS one of Champa’’s
　　boys from the hood of a car.
　　
　　Contrary to what we might think， Morgan is actually quite a
　　fighter. He peppers the kid with a flurry of blows.
　　
　　The fight is messy， ugly and chaotic. Most punches are thrown
　　wildly and miss， heads are banged against concrete， someone
　　throws a bottle.
　　
　　In the end， it’’s our guys who are left standing， while Bobby’’s
　　friends stagger off. Chuckie and Morgan turn to see Will，
　　standing over the unconscious Bobby Champa， still POUNDING
　　him.
　　
　　ANGLE ON WILL: SAVAGE， UGLY， VICIOUS， AND VIOLENT
　　
　　Whatever demons must be raging inside Will， he is taking them
　　out on Bobby Champa. He pummels the helpless， unconscious
　　Champa， fury in his eyes. Chuckie and Billy pull Will away.
　　
　　The POLICE finally arrive on the scene and having only witnessed
　　Will’’s vicious attack on Champa， they grab him.
　　
　　EXT. SIDEWALK （FULL SPEED） -- CONTINUOUS
　　
　　A crowd of onlookers have gathered. Chuckie addresses them.
　　
　　CHUCKIE
　　Hey， thanks for comin’’ out.
　　
　　WILL
　　Yeah， you’’re all invited over to
　　Morgan’’s house for a complementary
　　fish sandwhich.
　　
　　The Police slam Will into the hood of a car.
　　
　　WILL （cont’’d）
　　（to Police）
　　Hey， I know it’’s not a French cruller，
　　but it’’s free.
　　
　　The cop holding Will SLAMS his [Will’’s] face into the hood， another cop
　　uses a baton to press Will’’s face into the car. The look of
　　rage returns to Will’’s eye.
　　
　　WILL （cont’’d）
　　Get the fuck off me!
　　
　　Will resists. Another cop comes over. Will KICKS HIM IN THE
　　KNEE， dropping the cop. Momentarily freed， Will engages in a
　　fracas with three cops. More converge on Will， who -- though he
　　struggles -- takes a beating.
　　
　　CUT TO:
　　
　　EXT. SEAN’’S ROOF -- NIGHT
　　
　　Sean sits， exactly as we first saw him， except his tie is now
　　loose and an empty bottle of BUSHMILLS is at his side. He
　　stares out over the City. A MATRONLY LANDLADY comes out of a
　　doorway on the roof.
　　
　　LANDLADY
　　Sean？
　　
　　Sean doesn’’t answer.
　　
　　LANDLADY （cont’’d）
　　Sean？ You okay？
　　
　　SEAN
　　Yeah.
　　
　　A beat.
　　
　　LANDLADY
　　It’’s getting cold.
　　
　　After a moment， she retreats back down the stairs. Sean doesn’’t
　　move.
　　
　　DISSOLVE:
　　
　　EXT. CHARLES RIVER， ESTABLISHING SHOT -- MORNING
　　The morning sun reflects brilliantly off the river.
　　
　　CUT TO:
　　
　　EXT. COURTHOUSE -- NEXT MORNING
　　
　　Will emerges from the courthouse. Chuckie is waiting for him
　　in the Cadillac with two cups of DUNKIN’’ DOUGHNUTS coffee. He
　　hands one of them to Will. This feels routine.
　　
　　CHUCKIE