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Yah.
MARGE
…… Yah, okay, I think I’’ll
drive down there, then.
GARY
Oh, yah? Twin Cities?
Norm, who has been eating steadily throughout, looks over at
Marge with mild interest. He stares for a beat as he
finishes chewing, and them swallows and says:
NORM
…… Oh, yah?
KITCHEN OF LUNDEGAARD HOUSE
Jerry, Wade, and Stan Grossman sit around the kitchen table.
It is night. The scene is harshly toplit by a hanging
fixture. On the table are the remains of coffee and a
cinammon filbert ring.
WADE
Dammit! I wanna be a part a
this thing!
JERRY
No, Wade! They were real clear!
They said they’’d call tomorrow,
with instructions, and it’’s gonna
be delivered by me alone!
WADE
It’’s my money, I’’ll deliver it
- what do they care?
STAN
Wade’’s got a point there. I’’ll
handle the call if you want, Jerry.
JERRY
No, no. See - they, no, see, they
only deal with me. Ya feel this,
this nervousness on the phone there,
they’’re very - these guys’’re
dangerous -
WADE
All the more reason! I don’’t want
you - with all due respect, Jerry
- I don’’t want you mucking this up.
JERRY
The heck d’’ya mean?
WADE
They want my money, they can deal
with me. Otherwise I’’m goin’’ to
a professional.
He points at a briefcase.
WADE
…… There’’s a million dollars
here!
JERRY
No, see -
WADE
Look, Jerry, you’’re not sellin’’
me a damn car. It’’s my show here.
That’’s that.
STAN
It’’s the way we prefer to handle
it, Jerry.
THE DOWNTOWN RADISSON HOTEL
Marge is at the reception desk.
MARGE
How ya doin’’?
CLERK
Real good. How’’re you today, ma’’am?
MARGE
Real good. I’’m Mrs. Gunderson, I
have a reservation.
The clerk types into a computer console.
CLERK
You sure do, Mrs. Gunderson.
MARGE
Is there a phone down here, ya think?
LOBBY CORNER
Marge is on a public phone.
MARGE
…… Detective Sibert? Yah, this
is Marge Gunderson from up Brainerd,
we spoke - Yah. Well, actually
I’’m in town here. I had to do a
few things in the Twin Cities, so
I thought I’’d check in with ya about
that USIF search on Shep Proudfoot……
Oh, yah?…… Well, maybe I’’ll go
visit with him if I have the…… No,
I can find that…… Well, thanks a
bunch. Say, d’’ya happen to know a
good place for lunch in the downtown
area?…… Yah, the Radisson…… Oh,
yah? Is it reasonable?
A GREEN FREEWAY SIGN
Through a windshield we see a sign for the MINNEAPOLIS
INTERNATIONAL AIRPORT.
ROOFTOP PARKING LOT
The brown Ciera enters and drives lazy S-curves around the
few snow-covered cars parked on the roof of the lot.
It stops by one car and Carl emerges. He quickly scans the
lot, then kneels in the snow at the back of the parked car
and starts unscrewing its license plate.
EXIT BOOTH
Carl pulls up and hands the attendant his ticket.
CARL
Yeah, I decided not to park here.
The attendant frowns uncomprehendingly at the ticket.
ATTENDANT
…… What do you mean, you decided
not to park here?
CARL
Yeah, I just came in. I decided
MARGE
…… Yah, okay, I think I’’ll
drive down there, then.
GARY
Oh, yah? Twin Cities?
Norm, who has been eating steadily throughout, looks over at
Marge with mild interest. He stares for a beat as he
finishes chewing, and them swallows and says:
NORM
…… Oh, yah?
KITCHEN OF LUNDEGAARD HOUSE
Jerry, Wade, and Stan Grossman sit around the kitchen table.
It is night. The scene is harshly toplit by a hanging
fixture. On the table are the remains of coffee and a
cinammon filbert ring.
WADE
Dammit! I wanna be a part a
this thing!
JERRY
No, Wade! They were real clear!
They said they’’d call tomorrow,
with instructions, and it’’s gonna
be delivered by me alone!
WADE
It’’s my money, I’’ll deliver it
- what do they care?
STAN
Wade’’s got a point there. I’’ll
handle the call if you want, Jerry.
JERRY
No, no. See - they, no, see, they
only deal with me. Ya feel this,
this nervousness on the phone there,
they’’re very - these guys’’re
dangerous -
WADE
All the more reason! I don’’t want
you - with all due respect, Jerry
- I don’’t want you mucking this up.
JERRY
The heck d’’ya mean?
WADE
They want my money, they can deal
with me. Otherwise I’’m goin’’ to
a professional.
He points at a briefcase.
WADE
…… There’’s a million dollars
here!
JERRY
No, see -
WADE
Look, Jerry, you’’re not sellin’’
me a damn car. It’’s my show here.
That’’s that.
STAN
It’’s the way we prefer to handle
it, Jerry.
THE DOWNTOWN RADISSON HOTEL
Marge is at the reception desk.
MARGE
How ya doin’’?
CLERK
Real good. How’’re you today, ma’’am?
MARGE
Real good. I’’m Mrs. Gunderson, I
have a reservation.
The clerk types into a computer console.
CLERK
You sure do, Mrs. Gunderson.
MARGE
Is there a phone down here, ya think?
LOBBY CORNER
Marge is on a public phone.
MARGE
…… Detective Sibert? Yah, this
is Marge Gunderson from up Brainerd,
we spoke - Yah. Well, actually
I’’m in town here. I had to do a
few things in the Twin Cities, so
I thought I’’d check in with ya about
that USIF search on Shep Proudfoot……
Oh, yah?…… Well, maybe I’’ll go
visit with him if I have the…… No,
I can find that…… Well, thanks a
bunch. Say, d’’ya happen to know a
good place for lunch in the downtown
area?…… Yah, the Radisson…… Oh,
yah? Is it reasonable?
A GREEN FREEWAY SIGN
Through a windshield we see a sign for the MINNEAPOLIS
INTERNATIONAL AIRPORT.
ROOFTOP PARKING LOT
The brown Ciera enters and drives lazy S-curves around the
few snow-covered cars parked on the roof of the lot.
It stops by one car and Carl emerges. He quickly scans the
lot, then kneels in the snow at the back of the parked car
and starts unscrewing its license plate.
EXIT BOOTH
Carl pulls up and hands the attendant his ticket.
CARL
Yeah, I decided not to park here.
The attendant frowns uncomprehendingly at the ticket.
ATTENDANT
…… What do you mean, you decided
not to park here?
CARL
Yeah, I just came in. I decided
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